How to make your ultra-wide environmental portraits pop with the Profoto B2

Written by Jens-Linus Lundgren-Widén on . Posted in Off-camera flash, On location, Videos, Wedding photography

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Ordinary to extraordinary is a behind the scenes video series where Lin&Jirsa Photography shares their secrets to achieving unique and creative wedding imagery. In this episode Pye shoots ultra-wide angle environmental portraits with backlight.

Ultra-wide angle environmental portraits are immensely popular, since they make for fantastic large format prints. Adding it to your wedding photography portfolio will instantly differentiate you ferom all other wedding photographers.

One risk you are running into when shooting ultra-wide angle environmental portraits with small subjects, they can easily disappear in the background. Backlighting can really make your subjects pop out of your images and at the same time enhance surroundings effects like mist, fog, smoke, or rain.

Watch the video to learn how to create an ultra-wide angle environmental portrait with backlight in five simple steps.

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Adventurer Charleton Churchill climbs Mt. Everest with the Profoto B1

Written by Charleton Churchill on . Posted in Off-camera flash, Wedding photography

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Profoto b2 lighting for adventure weddings

© Charleton Churchill

Charleton Churchill is an explorer, adventure and a destination wedding photographer. In 2015 he did a series unique weddings shoots on Mt. Everest, just above Basecamp. Here are his own words about the Mount Everest project.

I love to travel to adventurous locations with my couples, from engagement sessions in northern California where I live, to weddings on Mt. Everest. What’s important to me is carrying light and powerful gear, enough to carry on a hike. That is why I use both the B1 and B2 Off-Camera Flashes for my adventures. If I’m hiking or I need less weight, I pack my B2 Off Camera Flash, like I did on this year’s Everest Base Camp wedding. It fits in my bag just fine. For the image above, which was an adventure engagement session, I used the B1 Off-Camera Flash for extra power, just in case my vision morphed into something even darker and more dramatic. I had scoped this location earlier, so I didn’t need to hike but 30 yards down from my vehicle.

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What’s the difference between using a CTO gel and no gel at sunset?

Written by Jared Platt on . Posted in Off-camera flash, On location, Wedding photography

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© Jared Platt

© Jared Platt

What’s the Difference? is a series of lighting tutorials. Each article responds to a single question. In this post, Jared Platt explains the difference between using a CTO gel and no gel.

In the past few blog posts, I have been detailing various scenarios where I use a gel to color the light coming from my flash to match the ambient light, or to contrast against it with an opposite color gel. In the first post, we dealt with a cloudy, rainy, cold day where the sun’d ambient light was very blue because it was blocked by the clouds. In that case, the ambient light was at approximately 6500 kelvins, which is very blue in color. In our second challenge, we photographed indoors and battled it out with a 1960s army of 5000 kelvin florescent lights in an AmTrack train car. But in today’s example, we will race the sun for a portrait with an ambient light temperature of close to 1800 kelvins.

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Sandra Åberg brings out the beauty with the OCF Beauty Dish

Written by Jens-Linus Lundgren-Widén on . Posted in Off-camera flash, On location, Wedding photography

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© Sandra Åberg

© Sandra Åberg

When the Profoto Softlight Reflector was released in 1980, fashion photographers soon nicknamed it “The Beauty Dish” due to its unique ability to bring out the beauty of the model. Since then it has grown to become one of the most iconic tools for creating a creamy yet crisp light, often referred to as a “beauty light”. To name an example: when photographer Sandra Åberg bought her very first Light Shaping Tool, that one was the one she got – the Beauty Dish.

But there is always room for improvement. For instance, Sandra prefers shooting on location, and the classic Beauty Dish can sometimes be too large and bulky to bring with you. Especially when you’re shooting without an assistant.

Enter the new OCF Beauty Dish from Profoto, which is basically a foldable and more portable version of its classic precursor. The main difference is that the OCF Beauty Dish is not made of metal but high-quality fabrics. When collapsed, it’s stored in a carrying bag that fits in a small backpack. The entire tool, including speedring, deflector plate and diffuser, weighs a mere 0.53 kg (1.2 lbs.). In other words, it’s a lot easier to bring with you.

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How To Create the Golden Hour With No Sun

Written by Harley Anderson on . Posted in Portrait photography, Videos, Wedding photography

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Lin & Jirsa Photography shares their secrets to achieving unique and creative wedding imagery in this behind-the-scenes video series. Learn how they use Profoto Off-Camera Flash to control light to match their creative vision and overcome wedding day challenges. In the first episode Lin & Jirsa share their lighting tips and tricks on how to create the golden hour when there is actually no sun. Watch and learn.

Can you tell the difference between a photo that was taken at golden hour and one used a clever lighting technique to recreate golden hour? Read the full article about the shoot on SLR Lounge.

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