Gravity defying dance photography

Written by Jens-Linus Lundgren-Widén on . Posted in On location

Bookmark and Share
© Kevin Richards

© Kevin Richardson

New York based fitness photographer Kevin Richardson calls his niche dance and movement photography. With meticulous precision he catches professional dancers mid-air, mid-pose, seemingly defying gravity. We asked him how, and why, he does it.

During the past couple of years Kevin Richardson has been hauling his Profoto D1’s and Profoto B1’s around the streets of New York. This ongoing venture is part of an imagery that goes under the name Dance As Art: the New York City Photography Project, a hundred some photos depicting professional dancers striking poses, not seldom in the middle of a leap.

“I had this grand idea of creating images of dancers as these gravity defying, agile and powerful beings, and New York City in the background as secondary character.”

Read more

How to create natural light with flash

Written by Fredrik Franzén on . Posted in Off-camera flash, On location, Videos

Bookmark and Share

Lifestyle photographer Adam Angelides’ portfolio is a mix of images shot with flash and images shot with ambient light only. But they all look and feel equally natural. Keep reading to learn how he does it.

Sometimes the ambient light is just perfect. But usually it’s not. It’s too bright. It’s too dark. It’s the middle of the day when you want a glowing sunset.

That’s why we use flash. With flash you’re in full control. If it’s too bright you use it to overpower the sun. If it’s too dark you light up your subject. If it’s the wrong time of day you add an orange color gel and create your own sunset.

The trick is to make it look natural. People should pay attention to the image, not the technique behind it.

Read more

Rising Light: Olha Melokhina is a synonym for ambitious in Ukrainian

Written by Harley Anderson on . Posted in Rising light

Bookmark and Share
© Olha Melokhina

© Olha Melokhina

Rising Light is an article series highlighting promising photography students from all over the world. This month we introduce Olha Melokhina at the Cosumnes River College in Sacramento.

When I first saw Olha Melokhina’s website I remembered thinking: “This is student work? She can’t be a student, this is too good for student work.”

Seems I was right and wrong. Olha is a student and the work on her website is in fact hers. If Olha’s work looks too polished for somebody still in college it’s because she’s been taking pictures and actually making money at it, since 2003.

Read more

Shooting at the Cannes Film Festival: The Look of Three Photographers

Written by Rebecca Ahremark on . Posted in Events, Off-camera flash, On location

Bookmark and Share

The Cannes Film Festival_Profoto

The Cannes Film Festival – the film industries most popular event in cinema and an important photographic moment. We asked three photographers to share their views on the festival with us. Discover the work of Frédéric StucinFabrice Dall’anese, and Olivier Anrigo. 

Festival de Cannes, The Cannes Festival, founded in 1946 is considered the most prestigious film festival in the world. The invitation-only festival is held annually at the Palais des Festivals et des Congrès. But what’s it like being a photographer there? We talked to three photographers about their experience.

Read more

Rossella Vanon gets creative with the OCF Gels

Written by Jens-Linus Lundgren-Widén on . Posted in Fashion photography, Off-camera flash, Portrait photography

Bookmark and Share
© Rossella Vanon

© Rossella Vanon

Flash is an essential part of light shaping, but to catch the right feeling in your pictures you cannot always solely rely on light. With the OCF Gels you can shape light in color and create the mood you are after. To show an example, we asked fashion and beauty photographer Rossella Vanon to get creative.

Lighting and color has always been important ingredients in Rossella Vanon’s photography. Her delicate and dreamy, yet bold and rich look and feel has awarded her international acclaim in just a few years.

“I always prefer the look of gels used subtly and in a targeted way to when the colors are allowed to take over the entire image, uncontrolled,” says Rossella. “However, it tends to require the use of more light sources and certainly more time positioning and figuring out a balance between the place and intensity of all sources.”

Read more