Posts Tagged ‘Air Remote TTL-C’

Official trailer: A week in a photographer’s life

Written by Jens-Linus Lundgren-Widén on . Posted in Videos

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Every new day is a new challenge for a photographer. Will it be a portrait, sports, fashion or something else completely? And no matter what that day brings, it must always end the same way – with a great shot.

Dealing with these pressures takes experience, talent and speed. For the great photographer, challenges are there to be conquered. And for them, speed is more than the ability to freeze a moment of action or match the fastest camera shutter. It’s about setting creativity free.

Next week we start a five day article series where you get to follow photographer Andreas Lundberg during his one week experience with the new Profoto D2 – the world’s fastest monolight with TTL.

Stay tuned by watching this trailer for the series. Are you up to speed?

Experience the Profoto D2 already now: www.profoto.com/d2

See more of Andreas Lundberg’s work: www.andreaslundberg.com

What’s the difference between using a green gel and no gel?

Written by Jared Platt on . Posted in Off-camera flash, On location

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© Jared Platt

© Jared Platt

What’s the Difference? is a series of lighting tutorials. Each article responds to a single question. In this post, Jared Platt explains the difference between using a green gel and no gel.

In my last post, I detailed the process of using color correction gels to match the colors of various light sources. It that case, we matched the flash (which is a slightly blue light) to overcast daylight (which is much more blue). Then we went the opposite direction and intensified the blue in the sky, by using a warm gel on the flash. If you haven’t read it, take a look, it is worth the read.  Throughout the shoot, we nailed four variations that were are great, so the selection between them would be based on individual preference.

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What’s the difference between a white and a silver beauty dish?

Written by Jared Platt on . Posted in Off-camera flash, On location, Portrait photography

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© Jared Platt

© Jared Platt

What’s the Difference? is a series of lighting tutorials. Each articleresponds to a single question. In this post, Jared Platt explains the difference between a white and a silver beauty dish.

In my last post, I showed you the difference between a bare head flash and a white beauty dish. A beauty dish creates a directional, but soft light by increasing the relative size of the light and by blocking the original light source and forcing the light to spread evenly around the entire modifier. You probably already know that the relative size of your light determines how soft the light will be, but there are other factors that change the quality of that light. One of those additional factors is the surface of the light modifier itself.

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What’s the difference between using a CTO gel and no gel at sunset?

Written by Jared Platt on . Posted in Off-camera flash, On location, Wedding photography

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© Jared Platt

© Jared Platt

What’s the Difference? is a series of lighting tutorials. Each article responds to a single question. In this post, Jared Platt explains the difference between using a CTO gel and no gel.

In the past few blog posts, I have been detailing various scenarios where I use a gel to color the light coming from my flash to match the ambient light, or to contrast against it with an opposite color gel. In the first post, we dealt with a cloudy, rainy, cold day where the sun’d ambient light was very blue because it was blocked by the clouds. In that case, the ambient light was at approximately 6500 kelvins, which is very blue in color. In our second challenge, we photographed indoors and battled it out with a 1960s army of 5000 kelvin florescent lights in an AmTrack train car. But in today’s example, we will race the sun for a portrait with an ambient light temperature of close to 1800 kelvins.

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What’s the Difference Between a Bare Head and a White Beauty Dish?

Written by Jared Platt on . Posted in Off-camera flash, On location, Portrait photography

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© Jared Platt

© Jared Platt

What’s the Difference? is a series of lighting tutorials. Each article responds to a single question. In this post, Jared Platt explains the difference between using a bare head and a white beauty dish.

Photographers instinctively know that a soft box creates soft light, it’s in the name for heaven sake! But the reason is sometimes less obvious to some. If you already know the answer to this quiz, don’t worry, we will get a little more detailed in a moment. The sun (less than an inch in diameter in the sky) is a very hard light and creates very hard shadows, but a 4 foot softbox, placed next to your portrait subject will create soft, beautiful light.  Take that softbox a few hundred yards away from the subject (if the strobe was strong enough) and that light would feel a lot more like the hard sunlight you so desperately want to avoid. Simply put, the quality of light (whether a light is soft or hard) depends on the size of the light to the subject.  No matter what light you have and what modifier you are using, the closer you bring the light to the subject, the softer it will become (even if it is also becoming more powerful in the process).

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