Posts Tagged ‘Pro-B3’

Andrew McGibbon is photographing animals in front of a live audience

Written by Jens-Linus Lundgren-Widén on . Posted in Fine art photography

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© Andrew McGibbon

© Andrew McGibbon

Do you remember Andrew McGibbon, the animal loving fine art photographer that shoots snakes and horses, and everything in between. As if photographing wild animals is not thrilling enough, Andrew decided to shoot his most recent project in front of a live audience.

Last week we shared a series of images on the Profoto Instagram account. The pictures are from Andrew McGibbon’s latest project Wolves + Vultures. His fine art projects have always focused on animals and this one spawned out of the interest in the connection between animals and humans.

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Christmas Cards With a Modern Touch

Written by Eric Doggett on . Posted in Portrait photography

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© Eric Doggett

© Eric Doggett

Christmas comes with customs and traditions. But just because it’s traditional it doesn’t have to be boring. Guest blogger Eric Doggett writes about how he started to create his own Christmas cards.

I started creating Christmas cards in 2009. I kind of fell into it, actually. At the time I was shooting editorial work for local magazines as well as weddings. When the holidays started to come around, my wife and I knew that we didn’t want the standard ‘family sitting in the grass in front of the house’ photo. We all get those every year, and usually they don’t end up staying around much past Christmas. I wanted to create something that would stay on our friends’ refrigerator for a little bit longer.

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Alexia Sinclair Goes Into the Dark Woods and Lights up the Creatures of the Night

Written by Alexia Sinclair on . Posted in Videos

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In the second part of Into The Gloaming, Alexia Sinclair leaves the comfort of her studio in search of a one hundred year old weeping beech tree. With her is a porcelain skinned heroine, a dress made of moths and a bag full of toadstools. The dedication and attention to detail is beyond belief. Here is the full story in Alexia’s own words.

As much as I love set construction and working in the studio (it never rains), some things just can’t be recreated on set, namely a gorgeous one hundred year old weeping beech tree.

With only a week until the tree would lose all it’s leaves (winter is coming, at least in Australia) we had to act fast to manifest this gateway between the real and the surreal.
Shooting on location is all about planning for that 5 minute window where the ambient intersects with the artificial and creates something otherworldly. With that in mind the only question that matters is: When exactly will the Sun be in that 5 minute window? And then how do I make sure that everything is ready for that moment.

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How Andrew McGibbon Made a Rock Band in a Parking Lot Look Like a 19th Century Painting

Written by Rebecca Ahremark on . Posted in Commercial photography

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When Indie Rock band JORDI needed a promo image to coinside with their debut album, photographer Andrew McGibbon was their first and only choice. With total creative control Andrew put them on boat and started to make magic.

“For some reason, I entered the conversation with the idea of a row boat in rough seas and they were all like “no way, we have a song about that!”. So it was pretty obvious that the idea fit from the get go and then it was just up to me to figure out how we would pull it off.” says Andrew McGibbon.

The lead singer of Jordi, Jordi van Dyk, had been a fan of Andrew’s work for some time so when it came to shooting their promo, he insisted it had to be Andrew. With a limited budget, Andrew’s condition was to have total creative control of the image.

“The great thing about focusing on a niche style in photography is that your client will end up giving you much more freedom in a job because they trust you – after all, they came to you for your style. Why would they want to stifle that?” says Andrew.

Andrew’s idea was clear right from the start. The image had to be dramatic, almost like a Turner painting. But he knew that the scene itself would be impossible to achieve on location and in only one shot. “You don’t need to be restricted by the natural or real and can create based on your imagination. There is much more room for magic.” says Andrew.

Andrew ended up playing the role as producer, art director and photographer and Jordi was happy to take his lead.

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Ian Ruhter’s Workshop at Palm Springs Photo Festival: How to Do Wet Plates with Profoto Strobes

Written by Ian Ruhter on . Posted in Events

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Profoto-Ian-Ruhter-Palm-Springs-Photo-Festival-1

At this year’s Palm Springs Photo Festival, photographer Ian Ruhter held a workshop on how to do wet plates with Profoto strobes. All these shots were created by his students (including a famous face you’ll all recognize) on the second day. And here is how it all went down, in Ian’s own words. 

It was almost a decade ago that I picked up my first camera. I took my first photography class and my eyes were opened to something that my senses had never felt before.

Shortly after, I realized that I was holding a new passport to the world in my hands and that this craft was one of the greatest gifts anyone has ever given me. Since this time the camera has led me around the world– a couple of times. Along the way, during this great adventure, I learned from many different photographers. Today, I am happy that I am able to share this gift with others. Read more