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The D2s perfect remote control integration and its sheer power of 1000 Ws make a ground breaking combination of a secure workflow and endless play opportunities.
The new power pack impresses with a truly record-breaking performance.
The Profoto D2 opens up my possibilities.
The TTL function of the Profoto D2 simplifies photography significantly. In addition, the studio flash reloads extremely quick and so allows continuous shootings.
What Profoto Small Spot does, is allows you to hyper-control your lighting through the use of gobos. Allowing you to cut light like a samurai, and shape it like an expert in ceramics.
The B1 is extraordinary, and it has the ability to dial down to low, soft light with big modifiers so I can create the exact same daylight I have been working with for the last 27 years. I can shoot at any time of the day and still control the light.
The most important feature of the Profoto D2 besides the speed is the constant color temperature and light intensity, regardless of the used power.
D2 Monolights give me ready-to-go pictures, so I can shoot more and retouch less.
Using the TTL function saved me a lot of time when trying to find the perfect light, especially since I changed location so often. I just adjusted my camera to the desired settings and then the Air Remote TTL-S calculated everything for the necessary lighting power on the subject.
The D2’s are absolutely great lights. I love their size, the amount of power they pack and their nice short flash duration.
Profoto D2 has broadened my range of expression.
When the Pro-10 is firing at high speed, it’s like being in a thunderstorm. The sound of the flash is so crisp, you know when you return to your screen you’re going to have something that’s pretty damn stunning.
The Pro-10 allows me to shoot with a higher power with very short flash duration, and that allows me to set the aperture freely.
I would like to shoot images no one has ever imagined before.
Excited to see new expressions by professional photographers all over the world.
The Profoto D2 has shown me that it's the fastest monolight with TTL, and more than that, reliable too.
You really don’t appreciate just what a difference having TTL exposure control makes until you use it… and then you won’t want to be without it.
Am I blown away by the capabilities of the Profoto D2? Yes, absolutely.
The recycling time is brutally fast.
The built-in possibilities and simplicity of the D2 are fascinating. It will most likely be a favourite among photographers that want a versatile flash.
Profoto D2 freezes movements at lighting speed.
The D2 interface is really intuitive and super easy to use.
I prefer to devote my attention to the angles, the distance and light shaping than measure the light every time I adjust the focus. That’s what I love about the D2 and TTL.
Far better specs even compared with the standard studio generators on the market.
Completely astonished by the versatility of the D2.
After I've tested the D2, I found I set my expectations too low. It outperforms in every feature. It's incredible.
As a fashion photographer, I'm often asked to capture models in running or jumping motions. The D2’s recycling time of 20 flashes per second enables me to capture every dynamic moment with ease.
The new D2 is a clear indication of Profoto’s commitment to the product category: this is an entirely new animal inside and out.
Having the confidence to know you can freeze anything pin sharp at the power you want opens up a whole new world of creative possibilities.
The Profoto D2's give me the speed I need. They never disappoint.
The B1 is absolutely essential to my workflow on all my jobs. I’m still blown away by the amount of power it packs through its portable batteries, and how well it can overpower the sun.
Once you try it, it changes everything.
The B1’s are the perfect fit for my needs when a speedlight won't suffice.
The Profoto B1 is truly a game-changer.
The Profoto B1 allows me to shape that light quickly and effectively.
For me, it feels like the beginning of something new.
If you’re looking to invest in one photography lighting kit, this is the perfect solution.
Using the B2's is just a downright fun experience.
The new Profoto B2 has given us exactly what we've been looking for.
The OCF Beauty Dish has to be my new favorite item from Profoto. It’s a must-have on every shoot I’m on now.
The OCF Beauty Dish gives a three-dimentional beautiful appearance to the model.
A smart solution so you can forget about the cumbersome cutting and taping of filters.
I just love when my life gets easier.
An easy-to-use light shaper that is perfect for portraits. Its small size makes it very portable.
By cotrolling the color of the image with the OCF Gels, I could express the emotions more vividly.
The OCF Gels save me time so I can be more creative and take better images.
As a system, Profoto offers limitless possibilities.
Best Professional Lighting System 2015
I’d call it a wedding photographer’s dream!
Will definitely fulfill the needs of every photographer on the move.
Using TTL to control and balance the light is extremely efficient.
A solid, beautifully engineered piece of kit.
An impressive addition to Profoto’s equipment portfolio.
Profoto is light years ahead of the competition when it comes to building products that look as great as they operate.
Nothing beats the B2 when it comes to the combination of power, versatility and ease-of-use.
An excellent option for photographers who want something between a monolight and speedlights.
Probably the ideal equipment for photographers traveling by train or plane.
Profoto really succeeds in keeping the color temperature stable throughout the entire power range.
It is the event and wedding photographer’s dream light.
It has impressed us more than we could have imagined.
This is exciting news for Nikon shooters.
This is a device whose time has come.
A Compelling package.
These lights should be high on your shopping list.
Don’t do anything until you’ve had a good look at the B1.
A little bit of light & magic.
Buy it once, it will last a lifetime.
So, how does all of this work in the field? Superbly!
Would I buy one? Yes!
If you are looking for a more complete setup, Profoto is the way to go.
Without a doubt, the Profoto B1 is an amazing strobe.
The B1's are really slick.
Using the B1 has been a great experience. Whether shooting TTL or manual, set-up and fine-tuning the lighting were really easy.
It’s up there with the Hasselblads and Leicas of this world and as a working pro, you can’t put a price on that.
I hate the phrase ‘game changer’, but never was it more appropriate.
It's a versatile tool that will adapt to many types of shooting, both outdoors and in the studio.
Profoto's wireless strobe system with swappable batteries is a winner.
There is no better light on the market today.
Profoto B1 is a nice addition to the usually manual and corded world of studio flash photography.
They're very smooth and easy to use.
All in all, we give the Profoto RFi Speedring and Softbox system a total of 5 out of 5 stars.
It's so easy it feels like cheating.
What more could a photographer ask for than TTL communication between your camera and your monolight?
I really just want to give the design team a big high-five.
I can't recommend the RFi gear enough.
Reliable, consistent, and excellent.
In addition to being beautifully designed and constructed, it just looks plain cool!
This is the best monobloc I've personally ever used.
If you are planning to buy lights for long and hard use, I can happily recommend them.
Ultimately, the Profoto D1 Studio Kit 500/500 Air is a really great kit.